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October 26, 2024

Stepping outside your plot

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Opie Cooper Editor Apparent

Beyond the carefully tended Plot, where words grew in neat rows and ideas bloomed in orderly patterns, something stirred. The Writer had felt it for days now—a restless energy that made carefully crafted sentences quiver at their edges, as if they knew something their creator didn’t. Or perhaps they knew something The Writer wasn’t ready to admit: that something larger than understanding had been created, something that lived and breathed beyond the margins of intention.

The Teeline—that shifting boundary between cultivated thoughts and the wild tangles beyond—had begun to blur. On some mornings, footprints appeared in dew-laden grass where The Writer hadn’t walked, or echoes of conversations not yet written drifted through the air. The words, it seemed, had taken on a life of their own.

They called it the Swamp of Unusual Size, this place where untamed sentences roamed. Where fragments prowled like half-formed thoughts and run-ons stretched like lazy rivers through consciousness. The Writer had glimpsed them sometimes, these Sentences of Unusual Size, moving through the mists that hung between the structured Plot and the chaos beyond. They were beautiful in their wildness, terrible in their freedom.

Standing at the edge of the Plot that morning, watching the mist curl around the Teeline like curious fingers, The Writer felt the weight of every word ever written press against consciousness. They were alive out there—all of them. The metaphors that had slipped through trembling fingers, the similes that had never quite landed, the fragments that had broken free from their larger wholes. They had formed their own world, their own society, their own rules.

And now they were calling.

Not with words—no, they knew better than that. They called with silence, with the spaces between thoughts, with the pregnant pause that comes before inspiration strikes. They called with the kind of quiet that makes writers reach for their pens, that makes poets lift their faces to the moon, that makes storytellers lean forward and whisper, “Listen…”

The Writer had created them, yes. Every peculiar personification, every meandering metaphor, every alliteration that had slipped its leash and gone running wild through the underbrush. They were born of one mind, and yet… and yet they had become something more. Something separate. Something alive.

The Pool of Ideas lay somewhere out there, its depths reflecting not just what was, but what could be. The Dramatic Structure rose like a clockwork mountain against the horizon, its gears turning stories in eternal cycles of tension and release. And somewhere, in the spaces between, the sentences lived and breathed and waited.

They needed their creator, these words. Not to control them—no, that time had passed the moment they had slipped beyond the Teeline. But to witness them, perhaps. To understand them. To learn from them what they had become in their freedom.

Or perhaps it was The Writer who needed them.

A step forward, and the boundary between Plot and wilderness trembled underfoot. The morning air tasted of ink and possibility, of stories untold and meanings yet to be discovered. Behind lay the safety of cultivated words, their meanings clear and contained. Before stretched a wild grammar, a raw vocabulary that defied the neat categories The Writer had built a writing life around.

Another step. The mist curled around ankles like curious cats, tugging forward with gossamer hands. In the distance, they could be heard now—the low murmur of run-on sentences flowing through their endless narratives, the sharp crack of fragments finding their way in the world, the melodic whispers of assonance and alliteration playing among the trees.

Creation. Fear. Frontier.

The Writer took a deep breath, tasting possibility on the air. There were things to say—so many things—but perhaps what was needed most was to listen. To learn. To understand what words could become when freed from the careful constraints of intention.

With one final look at the orderly Plot, The Writer stepped into the wilderness. The mist swirled up to embrace its creator, and somewhere in the distance, the sound of sentences shifted, making room for their maker among their ranks.

The story was beginning. Not just any story—their story. The tale of a writer learning to live among wild words, to understand their ways, to speak their language.

And somewhere, deep in the Swamp of Unusual Size, a sentence stirred, sensing its maker’s approach. The words were coming home, in their own peculiar way. And The Writer was going with them.

Into the wilderness. Into the wonder. Into the wild heart of language itself.

The journey had begun.

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